Another Month in the Gallery!

October has been a happy and busy month with the show at HYPE Gallery and my gigs as a participating artist gallery-sitter through the month.  I don’t know about the other artists in the show, but I love being at the gallery and talking to any and all who wander in.

The good news now is that the show has been extended through November.

I’ve met so many interesting – and interested – people and have enjoyed engaging them in conversations about the work on the walls as well as, in a few instances, their own work.

Artists like to see what other artists are doing, so it’s always a reasonable guess that some of these folks are also doing creative work.  A few of them have been musicians or working in some other creative field.  More than one has been involved in high tech, and my abstract paintings have been of particular interest to them.  I like hearing about what they see in the abstractions.

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“Blue in Green,” ©, 2016, 20 x 24 acrylic on canvas

One of my choices to do abstract work is the whole idea that the viewer can add his or her own narrative.  When I have the chance to hear that narrative, it’s especially gratifying for me.

I’ve also sold some pieces, always good news, including one that’s on its way to Germany, purchased by a young couple touring the western United States.  I was happy to meet every buyer and to know where the pieces would eventually find their homes.  Although selling artwork online is popular, I don’t think it’s for me.  I have too much fun getting to know the folks who enjoy the work, although I’d be happy to make the sale to any of my readers who might be interested.  We’ll just have to get acquainted some other way.

One couple who started taking art history classes “just for fun” during their early retirement bought one of my first collages and were already discussing just where it would go in their home as they walked away, happy owners of one of my own favorite pieces, one I wasn’t entirely sure I wanted to sell.

Selling one’s work, all of mine are originals – no prints, is a lesson in letting go.  But when we know our work is making someone else happy, that’s a good thing.

In his book The Art of Loving, Erich Fromm wrote about generosity and noted that the most generous among us are not afraid to let things go because they know they can create more of whatever it is – money, love, art…  I keep that in mind.

And now I’ll have another month in the gallery – more art, more conversations, maybe more sales.  As we say in southern Cali, “It’s all good.”

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“Celestial Bodies,”  ©2016, 11 x 14, mixed media collage on illustration board

Hype Gallery/Studio Door in San Diego’s North Park Arts District
3750 30th Street, San Diego, CA
For information, contact The Studio Door, 619.255.4920

 

 

 

 

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Who Put the Art in the Party?

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Part of my wall at the HYPE Gallery

It was no coincidence that “art” was right in the middle of “party” on Saturday night at the Studio Door/HYPE Gallery in San Diego.  Live jazz, good wine, happy people, great conversations, a little dancing and – of course – art!

Like writers, artists like me without a big studio where I can invite people in work much of the time in solitude.  The possibilities of getting our work to the public are generally limited to street fairs or a neighborhood coffee shop or competitions where we might exhibit (if we’re lucky) one or two paintings.

But the chance to show our work in a gallery, several pieces of our work at one time, is a break we don’t take lightly.  And the possibility of making sales on the spot is a possibility that means a lot.  Most of us are not starving in garrets, but selling our work is not just about making money with it.

I sold two of my smaller collages Saturday night, one to someone I know and one to strangers, a delightful couple who told me how much they liked it and talked about where it would go in their home.  That’s the part that means something to me.  And the person I knew did know about my art but had not seen it.  When she did, she wanted to own one of the pieces.  We were both happy.

As a born people-watcher, I also enjoyed observing the flow of the crowd on Saturday night – the folks who come to see a specific artist as well as the art aficionados who enjoy a pleasant evening out and want to see what’s new. It’s instructive for an artist to watch what happens when they pass by your own work – the ones who take a quick glance and move on, the ones who stop to take it in, spend time with the work, sign the guest book or pick up your card and slip it in a pocket.

Abstract art is not for everyone, so I didn’t expect everyone to be interested, but I listened to comments and watched.  Learned.  None of this will change what I do – I’m not creating art for the masses – but I did hear things that helped me know I’m not headed into an art ditch either.

I came home Saturday night gratified by the whole experience.  And Sunday morning, I gessoed up a new canvas and got right back to work.  An artist.

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New work.  Only just begun…stay tuned!